CV
Download PDF
Debi Cornwall (b. 1973, S. Weymouth, MA, US)
I am a multidisciplinary documentary artist who returned to visual expression after a 12-year career as a civil-rights lawyer.
My work explores the performance of power and citizenship through still and moving images, sound, testimony, and archival material.
EDUCATION
2000 Harvard Law School, J.D.
1995 Brown University, B.A., magna cum laude, Honors in Modern Culture & Media
WORKS
Film/Video/Sound
This is (Not) a Drill, 2025, 12'
Jade Helm, 2022, 14'30"
Pineland/Hollywood, 2021, 10'36"
Photography Books
Model Citizens (Radius Books) | Citoyens Modèles (Éditions Textuel) (2024)
Necessary Fictions (Radius Books, 2020)
Welcome to Camp America: Inside Guantánamo Bay (Radius Books, 2017)
EXHIBITIONS & SCREENINGS
Selected Solo Exhibitions
2025
Model Citizens, Fotofestiwal Łódź, Art Inkubator, Fabryka Sztuki, Łódź, Poland
2024
Model Citizens, les Rencontres d'Arles, Espace Monoprix, Arles, France (catalogue)
2023
Model Citizens, Photo Elysée, Lausanne, Switzerland
2022
Welcome to Camp America: Inside Guantánamo Bay ("WCA"), Xposure Festival, Sharjah, U.A.E. (catalogue)
2021
WCA, Stadthaus Ulm, Ulm, Germany
WCA, Musée de la Photographie à Charleroi, Charleroi, Belgium
2018
WCA, les Rencontres de la Photographie en Gaspésie, Percé, Canada (catalogue)
WCA, Cortona on the Move Festival, Fortezza del Girifalco, Cortona, Italy
WCA, Philadelphia Photo Arts Center, Philadelphia, PA, US (catalogue)
WCA, Head On Photo Festival, Sydney, Australia (catalogue)
2017
WCA, Steven Kasher Gallery, New York, NY, US
WCA, Carriage House Gallery, Brown University, Providence, RI, US
WCA, BMW Photo Space of GoEun Museum of Photography, Busan, S. Korea
WCA, Centre de la Photographie Genève, Geneva, Switzerland
Punctum Award Special Exhibition, Chongqing, China
2016
WCA, Lianzhou International Foto Festival, Lianzhou, China (catalogue)
2015
WCA, Photoville, Brooklyn, NY, US
Selected Group Exhibitions
2025
15 Years Together, Cortona on the Move, Cortona, Italy (forthcoming 17 July to 2 November 2025)
2024-25
Images Vevey, l'Appartement, Vevey, Switzerland
2023
Aesthetica Art Prize Exhibition, York Art Gallery, York, England
Prix Elysée Nominees, ArtGenève, Geneva, Switzerland
2022
Guerra a distancia (War at a Distance), Museu d'Art Modern de Tarragona, SCAN Festival, Tarragona, Spain
Remaking the Exceptional: Tea, Torture, and Reparations: Chicago to Guantánamo, DePaul Art Museum, Chicago, IL, US
With Abdualmalik Abud, Mansoor Adayfi, Djamel Ameziane, Muhammad Ansi, Ghaleb Al-Bihani, Dorothy Burge, Chicago Torture Justice Memorials,
Assad “Haroon” Gul, Mashaun Hendricks, Invisible Institute, Damon Locks, Lucky Pierre, Trevor Paglen, Prison + Neighborhood Arts/Education Project,
Khalid Qasim, Sabri Mohammad Ibrahim Al Qurashi, Ahmed Badr Rabbani, and Sarah-Ji Rhee.
2021
Photography is Dead. Long Live Photography!, Candela Gallery, Richmond, VA, US
(Juried exhibition, catalogue)
2020
Leica Women Foto Award Winners, Photoville, Brooklyn, NY, US
False Memory, Rugby Art Gallery & Museum, Rugby, England
Entrouvert (Half Open), Analix Forever Gallery, Geneva, Switzerland
Leica Women Foto Project Award Exhibition, Leica Gallery, Boston, MA, US
2018
Kraszna-Krausz Foundation Book Award Exhibition, Photo London, London, England
Discoveries of the Meeting Place, Fotofest Biennial, Houston, TX, US (catalogue)
En Suspens (In Between), le BAL, Paris, France (catalogue)
With Bas Jan Ader, Luc Delahaye, Darek Fortas, Hiwa K, Aglaia Konrad, Jacques-Henri Michot, Rabih Mroué,
Mélanie Pavy, Sebastian Stumpf, Paola Yacoub, & Henk Wildschut.
2017
Paris Photo-Aperture Foundation PhotoBook Awards Shortlist Exhibition, Paris Photo Fair,
Grand Palais, Paris, France, touring through 2018.
Hope, Beirut Art Fair (Lebanon), Annalix Forever Genève Contemporary Art Gallery, Beirut, Lebanon
Bending the Frame, Gulf + Western Gallery, NYU Tisch School of the Arts, New York, NY, US.
With #Dysturb; Tim Hetherington; Jan Hoek; Chris Jordan; Jennifer Karady; Gideon Mendel; Celia A. Shapiro;
Taryn Simon and Aaron Swartz; Chris Johnson, Hank Willis Thomas, Bayeté Ross Smith and Kamal Sinclair; and Sumeja Tulic.
Something Fierce, Lannan Foundation Gallery, Santa Fe, NM, US
With Christine Corday, Sharon Core, Roni Horn, Munson Hunt, An-My Lê, Sarah Pickering, and Victoria Sambunaris.
Aperture Summer Open: On Freedom, Aperture Gallery, New York, NY, US, curated by For Freedoms
La Nuit de l’Année, les Rencontres de la Photographie d’Arles, Arles, France
Critical Mass Top 50, Artwork Network, Denver, CO, US
2016
STUMP, Candela Gallery, Richmond, VA, US
With Lindsey Beal, Sheila Pee Bright, Tom Kiefer, Mark Peterson, Brian Ulrich, and D.M. Whitman.
2015
GuatePhoto International Festival de Fotografía, Guatemala City, Guatemala
Encontros da Imagem XXV International Photo Festival, Braga, Portugal
21st Annual Juried Show, Peter Urban Legacy Exhibition, Griffin Museum, Winchester, MA, US (catalogue)
EXPOSURE, Photographic Resource Center, Boston, MA, US (Juried by Kristen Gresh)
CAPTURED, Newspace Center for Photography, Portland, OR, US (Juried by curator Yaelle Amir)
Conceal & Reveal, Belfast Photo Festival, Belfast, N. Ireland
2014
NEXT:, Castell Gallery, Asheville, NC, US (Juried exhibition)
Photoville: 20 Emerging American Photographers, Leiden International Photo Festival, Leiden, Netherlands
Screenings
2025
Pineland/Hollywood, Fotofestiwal Łódź, Art Inkubator, Fabryka Sztuki, Łódź, Poland
2024-25
Pineland/Hollywood, le Cinema à l'Appartement, Images Vevey, Vevey, Switzerland
2024
Pineland/Hollywood, le Confort Moderne, Poitiers, France
Pineland/Hollywood, Minnesota Street Project Foundation, CatchLight, San Francisco, CA, US
Pineland/Hollywood, les Rencontres d'Arles, Espace Monoprix, Arles, France
2023
Pineland/Hollywood, Medium Festival, Museum of Contemporary Art San Diego, San Diego, CA, US
Pineland/Hollywood, Aesthetica Art Prize Exhibition, York Art Gallery, York, England
Jade Helm, Freep Film Festival, Detroit, MI, US
Jade Helm, Sebastopol Documentary Film Festival, CA, US
Jade Helm, Big Sky Documentary Film Festival, Missoula, MT, US *Best Mini-Doc Competition Finalist
2022
Pineland/Hollywood, Deluge Contemporary, 25th Antimatter [Media Art] Festival, Victoria, Canada
Pineland/Hollywood, VideoEx Experimental Film & Video Festival, Zurich, Switzerland
Pineland/Hollywood, Chicago Underground Film Festival, Chicago, IL, US
Pineland/Hollywood, Boston Short Film Festival, Boston, MA, US
Pineland/Hollywood, SF DocFest, San Francisco, CA, US
Jade Helm, Ghent Viewpoint Documentary Film Festival, Belgium
Pineland/Hollywood, DC Independent Film Festival, Washington, D.C., US
2021
Pineland/Hollywood, interfilm, International Short Film Festival Berlin, Berlin, Germany
HONORS
Selected Awards, Fellowships, Residencies, & Grants
2025
Prix Pictet, Nominee
Lucie Photo Book Prize, Shortlist
2024
New York State Council on the Arts (NYSCA) Individual Artist Grant (Drill film)
Prix de la Photographie Madame Figaro, Shortlist
2023
Prix Elysée
Aesthetica Art Prize, Shortlisted Finalist
Center for Constitutional Rights Tigerish Storyteller Award
Big Sky Documentary Film Festival, Finalist, Best Mini-Doc Competition
2022
Prix Elysée, Nominee
Boston Short Film Festival, Jury Prize, Best Experimental Film
SF DocFest, Jury Prize, Best Short Film
2021
American Academy in Rome, Rome Prize, Nominee
Deutsche Börse Photography Foundation Prize, Longlisted Nominee
Speranza Foundation Lincoln City Fellowship
Lucie Photo Book Prize, Shortlist
2020
Les Rencontres de la Photographie d'Arles Photo-Text Book Award, Shortlist
Tim Hetherington Trust Visionary Award, Shortlist
2019
NYSCA/NYFA Artist Fellowship (Photography)
Leica Women Foto Project Award
W. Eugene Smith Memorial Fund Grant, Finalist
Tim Hetherington Trust Visionary Award, Shortlist
2018
Alice Award, Shortlist
PDN Annual, Publisher's Choice Award
Cuts & Burns Residency, Outpost Artists Resources (Jade Helm film)
Lucie First Photo Book Prize, Finalist
Kraszna-Krausz Foundation Book Award, Longlist
Fotofest Charles Jing Fellowship (Juried exhibition prize)
International Center of Photography Infinity Award (Artist's Book), Nominee
2017
Harpo Foundation Visual Artist Grant
Paris Photo-Aperture First PhotoBook Award, Shortlist
Les Rencontres de la Photographie d'Arles Photo-Text Book Award, Shortlist
Center for Emerging Visual Artists Fellowship (2017-2019)
Brown University Fitt Artist-in-Residence
2016
Punctum Award, Lianzhou Foto Festival (Juried prize)
Baum Award for an Emerging American Photographer, Nominee
Duke University Archive of Documentary Arts Collection Award for Women Documentarians
Critical Mass Top 50
2015
Speranza Foundation Lincoln City Fellowship
Grand Prix International de Photographie de Vevey (Switzerland), Shortlist
Foundation Support
Anonymous Was a Woman Emergency Relief Fund
David Rockefeller Fund
Elizabeth Firestone Graham Foundation
Foundation for Contemporary Arts COVID-19 Fund
Furthermore, a program of the J.M. Kaplan Fund
Lannan Foundation
Pollination Project
Puffin Foundation
Speranza Foundation
Violet Jabara Charitable Trust
Vital Projects Fund
PUBLICATIONS
Academic Publications:
Fred Ritchin, The Synthetic Eye (Thames & Hudson, 2025), at pp. 209, 212-13.
Michelle Bogre, Photography as Activism: Images for Social Change, 2d Ed. (Routledge, 2024), Cover & 218-23.
Esther Whitfield, A New No Man's Land: Writing and Art from Guantánamo, Cuba (Univ. of Pittsburgh Press, 2024).
Amber Ginsburg, Aaron Hughes, Aliya Hussain, and Audrey Petty, eds., Remaking the Exceptional: Tea, Torture, and Reparations |
Chicago to Guantánamo (DePaul Art Museum, 2022), at 30-31, 120, 122-27, 146-47, 290.
Moritz Neumüller, ed., The Routledge Companion to Photography, Representation, and Social Justice
(Taylor & Francis, 2022), at 301, 336, 343-46, 350-51.
Rebecca Boguska, Guantánamo Frames (Meson Press, 2022), Chapter 2.
European Center for Constitutional and Human Rights, Rupture and Reckoning: Guantánamo Turns 20, ECCHR
(11 January 2022), at pp. 137-42.
Alexandra Moore, "'Necessary Fictions': On the Sustaining Fantasies of the Forever War," presented in Just in Time:
Afterlives of Guantánamo and the War on Terror: The Forever War 20 Years After 9/11," 2021 MLA Convention (7 January 2021).
Alexandra Moore, "Across the Threshold of Detectability: Guantánamo in the Work of Debi Cornwall," ASAP Journal
(Johns Hopkins University Press, Vol. 6.1 January 2021), at pp. 211-234.
Esther Whitfield, "Guantánamo, Cuba: Poetry and Prison on Divided Ground," Comparative Literature Vol 72, Issue 3 (Duke University Press,
Sept. 1, 2020), at pp. 299-315.
Michelle Bogre, Documentary Photography Reconsidered: History, Theory, and Practice (Routledge, 2019), Online Companion
Interviews.
Daniel Grinberg, "Some Restrictions Apply: The Exhibition Spaces of Guantánamo Bay," Cinema Journal (July, 2018).
Connor Gordon, "Confronting Incarceration's Destructive Invisibility, Debi Cornwall & Amy Elkins, " Interview & Photo Essay,
Epistem Magazine at pp. 20-33 (The Prindle Institute for Ethics, DePauw University, February 2018).
Esther Whitfield, Ph.D., "Guantánamo and Community: Visual Approaches to the Base," in Guantánamo and American
Empire: The Humanities Respond, Don E. Walicek and Jessica Adams, eds. (Palgrave MacMillan, 2017).
Jean-Philippe Dedieu, "Guantánamo's Frames of War: A Dialogue with Debi Cornwall and Larry Siems," Humanity:
An International Journal of Human Rights, Humanitarianism, and Development, Vol. 8/1 (Spring 2017).
Selected Additional Publications:
In print:
Christina Töpfer, "Debi Cornwall: Krieggspiele," Tagebuch (Austria), No. 2/26 (6 February 2026).
Waldemar Śliwczyński, "Debi Cornwall nie daje sie nabrac...", Profile, Kwartalnika Fotografia (Poland), No 50 (2025), at pp. 28-35.
Luca Fiore, "Colpire attraverso le immagini. La missione de Debi Cornwall," Interview, Domani (Italy), at p. 14 (20 July 2025).
Joanna Wróżyńska, "Kraj zbudowany na fikcji. 'Amerykańska zdolność do tworzenia mitów jes miezwykle silna,'"
Interview, Wysokie Obcasy (Poland) (July 2025), at pp. 103, 112-115.
Barry Schwabsky, "Picture Library: Dream Lives," Book review, Border Crossings Magazine #167 (May 2025), at pp. 24-27.
"Théâtre des opérations," Photo Essay, RevueXXI No. 68 (March 2025), at pp. 70-84.
"États-Unis, l'empire fracturé," Le Monde Diplomatique Manière de Voir, No 197 (October-November 2024), at
pp. 20, 43, 76, 77, 82, 83, 86.
Harper's Magazine (September 2024), at p. 13.
Damian Zimmermann, "Fotofestival Arles: Darüber spricht die Fotowelt," Exhibition review, fotoMAGAZIN (Germany)
(September 2024), at pp. 17-18.
Álex Vicente, "Mentiras verdaderas en los Encuintros de Arles," Exhibition review, El Pais (Spain) (21 August 2024), at p. 32.
Ana Marques Maia, "Debi Cornwall: retrato o nacionalismo militarizado dos EUA," Público Ípisilon (Portugal)
(16 August 2024), at pp. 10-11.
Stéphane Gobbo, "«Le pouvoir utilise la fiction pour imposer sa propre réalité»" Interview, Le Temps (Switzerland), at pp. 22-23.
Laurent Rigoulet, "Aux rencontres de la photographie d’Arles, Mary Ellen Mark et Debi Cornwall, deux approches du réel,"
Télérama Magazine, 22 July 2024, at pp. 41-43.
Yann Zitouni, "Les Rencontres d'Arles, photographies et courses d'orientation," Tribune de Genève, 21 July 2024, at p. 35.
Jérémy Piette, "Debi Cornwall US et coutumes," Exhibition review, Libération, 6-7 July 2024 at p. 12.
Claire Guillot, "Debi Cornwall dans la fiction du pouvoir," Exhibition review, Le Monde (5 July 2024), at p. 22.
Agathe Moreaux, "Prix de la Photo Madame Figaro-Arles 2024: zoom sur les 7 photographes nominées,"
Madame Figaro (France) (3 July 2024), at p. 33.
Éléonore Simon, "Citizen Debi Cornwall," Interview & exhibition review, Process Magazine (1 July 2024), at pp. 1, 30-37.
"Model Citizens," Book review, British Journal of Photography (June, 2024), at p. 187.
J. Sybilla Smith,"Women Changing the Face of Documentary Photography," Zeke Magazine Vol, 10 / No. 1,
at p. 52, 56 (Spring 2024).
Aesthetica Magazine (U.K.) (April/May 2023), at p. 123.
Future Now 2023 Anthology, Aesthetica Magazine (March 2023), at pp. 28-29.
Bastian Tebarth, "Debi Cornwall zeigt Guantánamo als Sinnibild der USA und des "freien Westens", Interview,
Melodie & Rhythmus (1/2022), at p. 67.
Lou Tatsas, "Debi Cornwall," Fisheye Photo Review 2021.22, at pp. 226-31 (October 2021).
Dana Melaver, Necessary Fictions, Book review, Zeke Magazine (Fall 2021) at p. 73.
Jean Dykstra, "Debi Cornwall's Necessary Fictions," Book review, The Brooklyn Rail (July/August 2021), at p.99.
Finley Cutts, "à la guerre, comme à la guerre: Debi Cornwall, Necessary Fictions," Fisheye Magazine #48
(July 2021), at pp. 36-47.
Lou Tsatsas, "Debi Cornwall: Necessary Fictions," Fisheye Photo Review 2020.21 (May 2021).
Jean-Marie Wynants, "Quand d'Image Révèle ce qu'elle ne montre pas," Exhibition review, le MAD (Belgium) at pp. 22-23.
Harper's Magazine (March 2021), at p. 18.
Tom Seymour, "Krieg und Fiktion," Interview, Fotomagazin (Germany) (March 2021), at pp. 24-25.
Jean-Marc Bodson, "Bienvenue à Guantánamo," Exhibition review, La Libre Belgique (Belgium) (17 February 2021), at p. 19.
Yang Zhou, "Debi Cornwall: Necessary Fictions," Interview & Photo Essay, Cityzine (China) (January 2021), at pp. 88-98.
"Picture Power: Necessary Fictions," Photo Essay, Newsweek Japan (27 October 2020), at pp. 62-67.
Siddhartha Mitter, "Photoville Adds New Venues, Vistas, and Vision," Exhibition review, New York Times
(22 September 2020), at C2.
Michael McCanne, "Black Sights," Book review, Art in America Magazine (June/July 2018), at pp. 51-53.
John McDonald, "Shifting the Focus" Exhibition review, Sydney Morning Herald (18 May 2018).
Erin Thompson, "Welcome to Camp America: Inside Guantánamo Bay," Book review, Zeke Magazine (Spring 2018).
Diane Dufour, Bartolomé Stanson & Julie Hérault, eds., In Between (Exhibition catalogue) (Le Bal & Shelter Press, 2018).
Moritz Neumüller, "Extreme Exposures," Book review, European Photography Magazine, No. 102 at pp. 64-70 (2018).
Aperture Foundation, “The 2017 Paris Photo-Aperture Foundation PhotoBook Awards Shortlist: First PhotoBook,”
The Photobook Review at p. 11 (Issue 013/Fall 2017).
Drew Zeiba, “Debi Cornwall on Comfort and Captivity,” PIN-UP Magazine (Issue 23, Fall/Winter 2017/2018), at p. 252.
Izabela Radwanska Zhang, "Out of Sight, Out of Mind," Book Review, British Journal of Photography at pp. 18-19
(November 2017).
David O'Neill, "Artful Volumes: Bookforum Contributors on the Season's Outstanding Art Books," Book review,
Bookforum, Vol. 4, Issue 3 at p. 26 (Fall 2017).
Seock Hyunhye, Interview & Exhibition review, Sajinyesul Photographic Art Magazine (Korea) (August 2017).
Clémentine Mercier, “Coquillages et Cuirassés,” Exhibition review, Libération (France) (12 May 2017).
Samuel Schellenberg, "Bienvenu à Guantánamo," Exhibition review, Le Courrier (Switzerland) (21 April 2017).
Monika Dommann, "Welche Farben hat Orange?” Exhibition review, WOZ Die Wochenzeitung (Switzerland)
(20 April 2017).
Caroline Stevan, "J'ai voulu montrer le fun de Guantánamo, selon les GIs," Interview & exhibition review, Le Temps
(Switzerland) (31 March 2017).
Anna Aznaour, "J’ai photographié d’ex-détenus de Guantánamo," Interview & exhibition review, Tribune de Genève
(Switzerland) (22 March 2017).
Nata Zhu, Interview, Photoworld Magazine (China) (January 2017).
David Drake, “Fotofest 2016 Reviewer’s Choice,” Fotomagazin (Germany) (20 July 2016).
Elodie Cabrera, “Hors la Loi Américaine," Polka Magazine (France) (October 2015).
Mark Feeney, “At the PRC, 13 Ways of Looking at the World,” Exhibition review, Boston Globe (25 June 2015).
"Picture Power: Gitmo at Home, Gitmo at Play," Photo essay, Newsweek Japan (3 December 2014).
"Contrast heerst op Guantánamo," Photo essay, de Morgen (Belgium) (16 October 2014).
"Guantánamo, Reframed," Photo essay, International N.Y. Times (14 October 2014).
Television, Radio, Online & Podcasts:
Natalia Królikowska, "Atlas praktyk. Fotofestiwal 2025," Exhibition Review, Miej Miejsce (11 July 2025).
Patrycja Głusiec, "An exercise in noticing the unseen: 8 Remarkable Artists at the Fotofestiwal
2025," Exhibition review, Contemporary Lynx (3 July 2025).
Iga Niewiadomska, "Surrealistyczny świat Debi Cornwall. Rozmowa z artystką," Podcast Interview
(in Polish), Polskie Radio 24 (29 June 2025).
Agata Ciastoń, "Nie wszystkie wystawy. Subiektywna relacja z Fotofestiwalo 2025,"
Exhibition review, Format Magazine (Poland) (25 June 2025).
Rieke Havertz, "Auf Härte trainiert," Die Zeit (Germany) (22 June 2025).
Lou Tatsas, "À Łódź, la fiction révèle la réel," Blind Magazine (France) (14 June 2025).
Maya Hristova, "Fotofestiwal Łódź 2025: Systems, Spectacle, and Subversion in the Heart of
Post-Industrial Poland," EEP Berlin (Germany) (9 June 2025).
Miss Rosen, "Welcome to Guantánamo: the Dark Heart of Empire & Gift Shop, ANIMAL (8 May 2025).
Loring Knoblauch, "Debi Cornwall, Model Citizens," Book review, Collector Daily (4 February 2025).
Stefano deLuigi, "From Courtrooms to Cameras: Debi Cornwall Invites Us to Look Anew," Interview, Hot Mirror
(16 January 2025).
Ana Marques Maia, "Os melhores fotolivros de 2024 para o P3," Público P3 (27 December 2024)
Elin Spring and Suzanne Révy, "Our Favorite Photo Books of 2024)," What Will You Remember (20 November 2024).
Camille Drouet Chades, "Twentynine Palms, dernier jeu de rôle avant la guerre," Revue XXI (France) (6 November 2024).
Miss Rosen, "In photos: a perilous portrait of America spiralling into fascism," Book review, Huck Magazine (29 October 2024).
Hakim Bishara, "8 Art Books to Cozy Up With This October," Hyperallergic (10 October 2024).
Marie-Elisabeth De La Fresnaye, "Arles, 55ième Rencontres coups de coeur!", Exhibition review, 9 Lives Magazine (France)
(3 September 2024).
Jean-Marc Bodson, Miroirs aux alouettes aux Rencontres d'Arles," Book review, La Libre (Belgium) (31 July 2024).
Brad Feuerhelm, "Le Hot Taker," Exhibition review, Nearest Truth Podcast Ep. 414 (26 July 2024).
Grażyna Siedlecka, "Notes from Beneath the Surface: les Rencontres d'Arles 2024," Exhibition review,
Contemporary Lynx Magazine (25 July 2024).
Charlotte Pudlowski, "Tout est vrai est tout est faux," Interview & exhibition review (in French), Pépite Podcast,
Season 7, Ep. 76 (21 July 2024).
Johan-Frédérik Hel Guedj, "Photographie en Arles: une fenêtre mutante sur le monde," Exhibition review, l'Écho (Belgium)
(20 July 2024).
"Émission spéciale autour des rencontres de la photographie d'Arles," Exhibition review, Radio Canut Podcast (France),
at 11:25-17:50 (in French) (18 July 2024).
Jean-Marc Bodson, "Rencontres d'Arles: nouveau monde, nouveaux récits: Cinq expositions à ne pa manquer," Exhibition review,
La Libre (Belgium) (17 July 2024).
Jean-François Bouthors, "Arles 2024: la photographie, archive du contemporain," Exhibition review, Revue Esprit (France)
(16 July 2024).
Ben Smith, "Debi Cornwall," Interview, A Small Voice Podcast #235 (17 July 2024).
Alexander Morrison, "Rencontres d'Arles 2024 offers a stark reminder of the fictions that shape us," Exhibition review,
The Art Newspaper (9 July 2024).
Zoe Isle de Bauchaine, "Rencontres d'Arles: Les Femmes en haut de l'affiche," Exhibition review, The Art Newspaper
(Édition française) (8 July 2024).
Charlotte Jansen, "Rencontres d'Arles: Toxic futures, shadowy pasts and jolly green dreams," Exhibition review, The Guardian
(8 July 2024).
Jindra Kratochvil, "À la rencontre de la photographie: Arles 2024," Interview, Radio Anthropocène Podcast (4 July 2024).
The Serial Team, "The Reading List Behind 'Serial' Season 4, New York Times (17 May 2024).
Lyle Rexer, "Debi Cornwall: New-Style Documentarian" (Interview), Photograph Magazine Vol. 19, No. 1 (3 Sept. 2023).
Lou Tatsas, "Musée de l'Elysée: Laia Abril et Debi Cornwall affirment leur engagement," Exhibition review, Fisheye
(14 July 2023).
Erin L. Thompson and Maliha Tasnim, "Guantánamo's Artists Fight for Beauty," Hyperallergic (28 February 2023).
"Top 50 Exhibitions of 2022," Hyperallergic (listing DPAM's Tea, Torture & Reparations at #3 worldwide) (December 28, 2022).
Inès Boittiaux, "Debi Cornwall et le théâtre du monde," Beaux Arts Magazine (11 July 2022).
Lori Waxman, "Art Behind Bars: 'Tea, Torture & Reparations' at DePaul makes connections between police violence in
Chicago and torture in Guantánamo," Exhibition review, Chicago Tribune (27 April 2022).
"Debi Cornwall: Necessary Fictions," Interview and photo essay, Truth in Photography (Spring 2022).
Alexandra Chaves, "Xposure: How Photographer Debi Cornwall Captured the Humanity Inside Guantánamo Bay,"
Review, The National (U.A.E.), 15 February 2022.
Lewis Bush, "'I felt a responsibility to look,': As Guantánamo Bay Turns 20, Photographers Reflect on the US Prison's Legacy,"
The Art Newspaper, 19 January 2022.
Alex Gibney, "The Forever Prisoner," HBO Documentary Films (2021).
Richard B. Woodward, "How 9/11 Changed Art," The Wall Street Journal, 9 September 2021.
Alexandra S. Moore, "Debi Cornwall's Necessary Fictions: On the Sustaining Fantasies
of the Forever War," Book review, The Polis Project, 8 September 2021.
Miriam Pensack, "The Genre Guantánamo Made," Los Angeles Review of Books, 9 June 2021.
John Devos, "Musée de la Photographie à Charleroi: Debi Cornwall: Welcome to Camp America," Exhibition review,
l'Oeil de la Photographie (29 March 2021).
Pascal Goffaux, "Welcome to Camp America, Guantánamo Photographié par Debi Cornwall," Exhibition review,
RTBF (24 February 2021).
"La Plus Grand Musée du Monde," Radio interview with MPC Director Xavier Canonne, RTBC
(21 February 2021), at 22:32.
Catherine Businaro, "Immersion au sein de Guantánamo et embiance feutrée au musée de la photo,"
Exhibition review & interview, Télésambre (12 February 2021).
Loring Knaubloch, "Debi Cornwall, Necessary Fictions," Book review, Collector Daily (18 January 2021).
Brad Feuerhelm, Nearest Truth #137, Podcast Interview (18 January 2021).
Mark Murrmann, "At Least One Thing Was Great About 2020: These Photobooks," Mother Jones (28 December 2020).
Donny Bajohr and Jeff Campagna, "The Ten Best Photography Books of 2020," Smithsonian Magazine (12 December 2020).
Matthew Flowers, Catherine Edelman, and Jim Casper, "Favorite Photobooks of 2020," Lensculture
(8 December 2020).
Elin Spring and Suzanne Révy, "Our Favorite Photobooks of 2020," What Will You Remember (3 December 2020).
Kenneth Dickerman, "'Our lives take place in the realm of fantasy, triviality, and materialism, and our senses
and mental capacity become numbed as a result,'" Book review, The Washington Post (2 December 2020).
Sunil Shah, "Fantasy-Industrial Complex: Debi Cornwall's Necessary Fictions," Book review & interview,
American Suburb X (27 November 2020).
Wayne Swanson, "Debi Cornwall: Necessary Fictions," Book review, Photobook Journal (6 November 2020).
Miss Rosen, "Playing War Games on American Soil, in Photos," Feature Shoot (19 October 2020).
Michael Delgado, "A.G. Geiger Presents: Bookseller's Holiday: National Photographer Appreciation Month,"
LA Weekly (13 October 2020).
Matt Alagiah, "Debi Cornwall explores American power and identity in the post-9/11 era," Interview & Book review,
It's Nice That (8 October 2020).
Michael Delgado, "A.G. Geiger Presents: Tales from the L.A. Underworld #58," Podcast (7 October 2020).
Lou Tsatsas, "'Devrais-je faire plus d'effort pour que cela ne m/affecte pas? Après tout, rient de tout cela
n'est reel,'" Interview, Fisheye Magazine (30 September 2020).
Izabela Radwanzka Zhang, "Debi Cornwall Investigates the Performance of US State Control," Interview & Book review,
British Journal of Photography (30 August 2020).
Gregory McNamee, "Village of the Damned," Book review, Los Angeles Review of Books (28 August 2020).
Francesco Scalici, "Debi Cornwall: Necessary Fictions," Book review, Float Magazine (28 July 2020).
Katherine Oktober Matthews, "The Power of State-Created Reality: An Interview with Debi Cornwall," Riding the Dragon
(20 July 2020).
Elin Spring, "Leica Women Foto Project Winners," Exhibition review, What Will You Remember (12 March 2020).
Lev Feigin, "Inside Guantánamo Bay: A Photographer Documents America's Most Heavily Guarded Prison,"
Book review, Hyperallergic (23 August 2018).
Edith Newhall, "The Creepiness of the Photos Takes a Moment to Sink In," Exhibition review, Philadelphia Inquirer
(10 August 2018).
Deborah Krieger, "Photography Exhibition Captures the Incongruous Crush of Guantánamo Bay Prisons,"
Humble Arts Foundation (9 August 2018).
Siddhartha Mitter, "Outside the Wire: Camp America Comes Home," The Intercept (10 June 2018).
Ninah Kopel, Fourth Estate Podcast, Interview, 2SER Radio (Australia) (18 May 2018).
Garry Maddox, "Mugs, shirts and stuffed toys: the gift shop view of Guantánamo," Interview & photo essay,
Sydney Morning Herald (13 May 2018).
Zack Hatfield, "Debi Cornwall's Welcome to Camp America," Exhibition review, The Guardian (25 February 2018).
Wilco Versteeg, "Roaming Without End: A group exhibition in Paris navigates documentary strategies in a directionless world."
(Exhibition review), Aperture Foundation Blog (21 February 2018).
Miss Rosen, "A Surreal Portrait of Life Inside Guantánamo Bay: Camp America," Huck Magazine (17 January 2018).
Mark Murrmann, "Here are 10 of the Most Captivating Photo Books of the Year. Just Look." Mother Jones
(31 December 2017).
Teju Cole, "The Best Photo Books of 2017," New York Times Magazine (30 December 2017).
Tim Clark, "Top 10 Photobooks of 2017," 1000 Words Magazine (UK) (18 December 2017).
Stefan Wagner, "So Oder So ist Guantánamo," Interview & book review, Der Spiegel (15 December 2017).
Loring Knaubloch, "Debi Cornwall: Welcome to Camp America, Inside Guantánamo Bay @Steven Kasher,” Exhibition review,
Collector Daily (30 November 2017).
Ryan P. Smith, “The Ten Best Photography Books of 2017,” Book review, Smithsonian Magazine (28 November 2017).
Fernando Arias, “Guantánamos framtid," Exhibition review, Sweden Radio P1 (13 November 2017).
Nina Strochlic, "Eerie Photos Reveal Life Inside Guantánamo Bay Prison," National Geographic Magazine (8 Nov. 2017).
Donny Bajohr, "These Photographs Capture the Complexities of Life at Guantánamo," Smithsonian Magazine (6 Nov. 2017).
Sarah Cascone, "Editors' Picks, Debi Cornwall: Welcome to Camp America, Inside Guantánamo Bay at Steven Kasher Gallery,"
Artnet News (24 October 2017).
Mark Murrmann, "These Photos Plunge You Into the Inner Madness of Guantánamo," Book review, Mother Jones
(7 October 2017).
Katherine Oktober Mathews, "Welcome to Camp America," Book review, GUP (12 September 2017).
Jim Casper, "Welcome to Camp America," Book review, Lensculture (12 September 2017).
Jordan G. Teicher, "In Guantánamo, Ensared in the War on Terror," Book review, New York Times Lens Blog
(11 September 2017).
Michael Abatemarco, "Empowerment through Art: 'Something Fierce,'" Exhibition review, Santa Fe New Mexican
(4 August 2017).
Melissa Lawford, "Consumerism Goes on Display at the Lianzhou Foto Festival," Exhibition review,
British Journal of Photography (6 December 2016).
"The Best of Photoville, New York City's Largest Photo Exhibition," The Guardian (U.K.) (9 September 2015).
Jenna Garrett, "Inside Gitmo's Surreal Recreation Spots, Tiki Bar and All," Wired Magazine (24 June 2015).
Lindsay Comstock, “The 10 Best Photography Exhibits of Summer 2015,” American Photo Magazine (22 June 2015).
Lewis Bush, "Gitmo on Sale," The British Journal of Photography (12 May 2015).
Romke Hoogwaerts, "Look: Souvenirs from the Guantánamo Bay Gift Shops," New York Times Magazine (1 May 2015).
Marco Werman, "The World," Interview, Public Radio International (PRI.org) (14 October 2014).
David Gonzalez, "Guantánamo's Surreal Prison Landscape," New York Times Lens Blog (14 October 2014).
Selected Artist’s Lectures, Panels & Teaching
AIPAD
American University of Kuwait
Amherst College
Arizona State University
le Bal (Paris, France)
Beyond Magnum
Brooklyn Public Library
Brown University
CatchLight
City College of San Francisco
Colorado College
Columbia School of Journalism
Columbia Global Centers (Paris, France)
Contemporary Artists' Book Conference, New York Art Book Fair (MoMA PS1)
CUNY John Jay College
Fotodemic
Fotofest
Griffin Museum
Harvard University
HATCH Heartland Summit
ICP Museum
Johannes Gutenberg-Universität Mainz (Germany)
LCC, University of the Arts London (England)
National Geographic Storytellers Summit
Nearest Truth Photo Book Workshop
NYU
NYU Institute for Public Knowledge
The New School
Open Engagement
Pace University
Paris Photo (The Eyes)
Photo Elysée (Lausanne, Switzerland)
Philadelphia Photo Arts Center
Photoville
les Rencontres d'Arles (France)
STABLE Arts
SUNY Binghamton
SVA
The Trinity School
United Nations Headquarters (Geneva, Switzerland)
University of S. Wales (U.K.)
V&A Museum (London, England)
Women Photograph
Yale Law School
ZEPHYR Mannheim (Germany)
Selected Collections
Bibliotèque National de France
Charles Dee Mitchell Collection on Violence in the 21st Century
Duke University Archive of Documentary Arts, David M. Rubenstein Rare Book & Manuscript Library
Joaquim Paiva Collection/MAM Rio de Janeiro (Brazil)
Harvard Art Museums
LACMA
Lannan Foundation
Leica USA
Metropolitan Museum of Art, Thomas J. Watson Library
Musée de la Photographie à Charleroi (Belgium)
Museum of Fine Arts Houston
Photo Elysée (Switzerland)
Yossi Milo collection
Experience
2020-present International Center of Photography (ICP), Faculty
2001-13 Neufeld Scheck & Brustin, LLP, Civil-Rights Attorney (Partner 2006-13)
2000-01 Honorable Robert W. Sweet, U.S. District Court (S.D.N.Y.), Law Clerk
1995-97 Federal Defender Division/Legal Aid Society (S.D.N.Y.), Investigator/Trial Assistant
1994-95 Associated Press (Providence, RI), Photographer (Stringer)
Contact
Debi Cornwall Studio
Brooklyn, NY, US
debi@debicornwall.com
www.debicornwall.com
US +1.917.627.0941
FR +33 (0) 6 48 13 13 56 (Whatsapp)